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                Personal 
              Sabbatical? 
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            Around 
            my birthday in 1999, I was hanging out on the east coast with a buddy 
            of mine, free from the activities of our west coast lives. I've known 
            Brian since High School, and we were both complaining about the passing 
            of another decade without putting a dent on our own creative endeavors. 
            The idea of putting work on hold, and purely pursuing un-commissioned 
            personal 
            artwork, seemed the fiction of 
            fairytales. But finally, the thought of having this conversation ten 
            years from now, with the same unfulfilled ideas, seemed more tragic 
            than the current situation. This time the seed was firmly planted. 
             
            It germinated while I was working at an Internet startup, near the 
            end of a steep twenty-month climb. When the Tech Sector bubble burst 
            in the second quarter of 2000, I was already prepared for my leave. 
            The groundwork for this personal sabbatical had been finalized, and 
            I was finally comfortable with it. By this time, everyone that I spoke 
            with had supportive and envious comments, encouraging and calming 
            my demeanor. The fact that my family and friends did not freak about 
            my four to six month plan only confirm my decision (and put the blame 
            squarely on them.) 
             
            The tree of personal accomplishment grew strong. It flowered first 
            on May 5th, when I was quoted in the NewTimes paper as "sculptor Eddie 
            Wizelman." I finished almost a project a month, in the order of 'Circular 
            Saw', 'Precisely inaccurate clock', '4pipes', 'Circa 2000', 'Quickgold', 
            and 'Browsing.' In the fall, a golden leaf of opportunity allowed 
            for my first piece on public display. 'Circa 2000' was exhibited for 
            six months in the Museum of Neon Art's "CARnucopia" show, then for 
            four months at the Palos Verdes art center. All of these works are 
            on display here, but are much more interesting in person. 
             
            At the two-month point, I realized that four seemed too few, and the 
            goal was extended to half a year. As expected, that added time was 
            quickly passing too. So I began to read more of the trade papers and 
            attend technology related social groups. I can't say that I ever left 
            computer systems, having three servers in my home, but I was able 
            to use them as a tool for producing my own art, rather than supporting 
            a specific business need.
-Eddie 
               
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